mauro@maurohertig.com
News
- Frequenz Kiel 2025 Commission January 7, 2025
- TESTIMONY with Cantando Admont November 2024 September 17, 2024
- Sacrificial G.O.A.T. at ECLAT Festival 2024 September 22, 2023
- Three Works at Impuls Festival 2023 June 21, 2023
- Kunstmuseum St. Gallen – Sound Installation and Choir June 1, 2023
- Finalist of 12th Mivos/Kanter Prize March 11, 2023
- Lemniscate premiere Longtermism on Swiss Tour February 5, 2023
- Orchestra Commission Basel Sinfonietta January 5, 2023
- DHMD Museum Dresden Sound Installation January 4, 2023
- String Quartet for Orpheus Competition Winners Atenea Quartet January 3, 2023
- Wittener Tage für Neue Kammermusik 2022 February 15, 2022
- Conversation with Gryphon Rue – Montez Press Radio September 5, 2021
- New Work Ensemble TZARA/Belobrovaja 2022 September 4, 2021
- Electric Guitar Duo for Santorsa/Pereyra 2022 September 2, 2021
- Mum Hum Recorded for WDR April 28, 2021
- ‘My Social Muscle’ Premiere at TNMAS Bangkok and Lucerne December 11, 2020
- ‘Dolphins/Minnesang’ at Kunstraum Walcheturm November 26, 2020
- Belgrade Biennale Commission August 8, 2020
- ‘This is Now’ published in Positionen Magazine May 24, 2020
- Opera Creation Workshop of Festival D’Aix-en-Provence Academie 2020 February 17, 2020
- Residency at Camargo Foundation January 25, 2020
- Finals of the Performer’s Freedman Classical Fellowship Competition at Sidney Opera House November 13, 2019
- Die Perfekte Passivität in L’Officiel Art October 25, 2019
- Four Reviews of The Great Mirror October 10, 2019
- Finals of Performers edition of Concours Nicati with Our Ear August 23, 2019
- Laureate of Voix Nouvelles Academy June 25, 2019
- Interview in VAN Magazin May 31, 2019
- Composer-in-Residence 2019 at Institute for Computer Music and Sound Technology Zürich May 15, 2019
- Book Release of ‘Listening Analysis – New Tools of Musical Perception’ April 10, 2019
- Tape Release Cello Solo 2 with Holy Geometry Label in Berlin April 10, 2019
- Russian premiere of Flugmagnet February 13, 2019
- Die Perfekte Passivität on Deutschlandfunk Radio January 3, 2019
- Premiere and Tour of Our Ear with Duo Klexs December 10, 2018
- Sound Installation ‘Liquid Contra’ at London Design Festival September 18, 2018
- Die Perfekte Passivität at Festival Rümlingen August 7, 2018
- Interactive Book about Guitar Piece ‘Ping Pol’ August 1, 2018
- Recipient of “Startstipendium” scholarship by Austrian Chancellery of Culture June 16, 2018
- Portrait Article in skug Magazine May 7, 2018
- Portrait Concert with Austrian Broadcast ORF, Platypus Ensemble May 5, 2018
- Ping Pol on ScoreFollower February 9, 2018
- Soyuz 21 Ensemble: Swiss premiere of Ping Pol plus Cello Solo 2 January 10, 2018
- Whispers and Ping Pol at Klangmanifeste Vienna December 28, 2017
- Ensemble Recherche Premiere of Flugmagnet December 20, 2017
- Premiere of Slope Motion for Double Bass November 22, 2017
- Interview in Blatt 3000 February 22, 2017
- Three pieces at Verantwortung 3000 / Airtime on Berlin Community Radio February 2, 2017
- New Recording of Ping Pol: Solo Steel-string Guitar piece January 12, 2017
- Duo Landman Stadler premiere Tandem Trapez October 15, 2016
- Selected as Promising Young Composer by the Ulysses Network/IRCAM October 11, 2016
- Site-specific piece Pawlow at Festival für Neue Musik Rümlingen August 30, 2016
MAURO HERTIG 