Mauro Hertig (*1989 in Switzerland) is a composer with an output of ensemble, chamber, conceptual and site-specific works. His focus lies on different manifestations and explorations of pulse, the exposition of musical memory and the fluid relationship between score and sound.
He studied at ZHdK in Zürich and at Kunstuniversität Graz, receiving his Bachelor with Isabel Mundry and Master of Arts in Composition with Beat Furrer and Klaus Lang. Further studies include courses and masterclasses with Georges Aperghis, Helmut Lachenmann, Elliott Sharp, Felix Profos and Peter Ablinger.
Works have been commissioned by Ensemble Recherche (Germany), Festival für Neue Musik Rümlingen (Switzerland), Österreichischer Rundfunk ORF, Collegium Novum Zürich CNZ, Trio Onyx (Basel), Jeunesse Vienna, Duo Landman/Stadler (New York/Basel), Schallfeld Ensemble Graz, Platypus Ensemble (Vienna), Klangmanifeste Vienna, Open Music (Austria), Duo Klexs.
In 2016, Mauro Hertig has been selected as Promising Young Composer by the European-wide Ulysses Network/IRCAM, which resulted in a journey of international residencies from 2017 to 2020.
2018 has seen a portrait concert initiated by the Austrian National Broadcast and Jeunesse Vienna with a broadcast on national radio Ö1, as well as the premiere of his landscape opera “Die Perfekte Passivität” for the Festival für Neue Musik Rümlingen in Basel. Besides that, Mauro Hertig was composer-in-residence at 180° Festival for Innovative Art in Sofia, Bulgaria.
Mauro Hertig lives in Vienna and New York.
Mille Structures – Zum Schaffen Mauro Hertigs – Article in skug magazine, April 2018 (German)
Safe and Sound – Article and shared interview about ‘Liquid Contra’ in Tank Magazine, September 2018 (English)
One Should Always Have a Little More Lalala than Blablabla – Interview in Blatt 3000, February 2017 (English)