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Finalist of 12th Mivos/Kanter Prize

By Mauro Hertig | March 11, 2023March 23, 2023

The string quartet Silly Empath has been selected for the final round of the 12th Mivos/Kanter Composition Prize in New York. At its origin, Silly Empath was a commission by the Orpheus Competition, composed for the Orpheus’ 1st prize winners Atenea Quartet. The piece was premiered at Swiss Chamber Music Festival on September 18, 2022.

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  • Finalist of 12th Mivos/Kanter Prize March 11, 2023
  • Orchestra Commission Basel Sinfonietta January 3, 2022
  • String Quartet for Orpheus Competition Winners Atenea Quartet January 3, 2022
  • Conversation with Gryphon Rue – Montez Press Radio September 5, 2021
  • New Work Ensemble TZARA/Belobrovaja 2022 September 4, 2021
  • Electric Guitar Duo for Santorsa/Pereyra 2022 September 2, 2021
  • Mum Hum Recorded for WDR April 28, 2021
  • ‘My Social Muscle’ Premiere at TNMAS Bangkok and Lucerne December 11, 2020
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  • Wittener Tage für neue Kammermusik 2021 November 20, 2020
  • Belgrade Biennale Commission August 8, 2020
  • ‘This is Now’ published in Positionen Magazine May 24, 2020
  • Opera Creation Workshop of Festival D’Aix-en-Provence Academie 2020 February 17, 2020
  • Residency at Camargo Foundation January 25, 2020
  • Finals of the Performer’s Freedman Classical Fellowship Competition at Sidney Opera House November 13, 2019
  • Die Perfekte Passivität in L’Officiel Art October 25, 2019
  • Four Reviews of The Great Mirror October 10, 2019
  • Finals of Performers edition of Concours Nicati with Our Ear August 23, 2019
  • Laureate of Voix Nouvelles Academy June 25, 2019
  • Interview in VAN Magazin May 31, 2019
  • Composer-in-Residence 2019 at Institute for Computer Music and Sound Technology Zürich May 15, 2019
  • Book Release of ‘Listening Analysis – New Tools of Musical Perception’ April 10, 2019
  • Tape Release Cello Solo 2 with Holy Geometry Label in Berlin April 10, 2019
  • Russian premiere of Flugmagnet February 13, 2019
  • Die Perfekte Passivität on Deutschlandfunk Radio January 3, 2019
  • Premiere and Tour of Our Ear with Duo Klexs December 10, 2018
  • Sound Installation ‘Liquid Contra’ at London Design Festival September 18, 2018
  • Die Perfekte Passivität at Festival Rümlingen August 7, 2018
  • Interactive Book about Guitar Piece ‘Ping Pol’ August 1, 2018
  • Recipient of “Startstipendium” scholarship by Austrian Chancellery of Culture June 16, 2018
  • Portrait Article in skug Magazine May 7, 2018
  • Portrait Concert with Austrian Broadcast ORF, Platypus Ensemble May 5, 2018
  • Ping Pol on ScoreFollower February 9, 2018
  • Soyuz 21 Ensemble: Swiss premiere of Ping Pol plus Cello Solo 2 January 10, 2018
  • Whispers and Ping Pol at Klangmanifeste Vienna December 28, 2017
  • Ensemble Recherche Premiere of Flugmagnet December 20, 2017
  • Premiere of Slope Motion for Double Bass November 22, 2017
  • Interview in Blatt 3000 February 22, 2017
  • Three pieces at Verantwortung 3000 / Airtime on Berlin Community Radio February 2, 2017
  • New Recording of Ping Pol: Solo Steel-string Guitar piece January 12, 2017
  • Duo Landman Stadler premiere Tandem Trapez October 15, 2016
  • Selected as Promising Young Composer by the Ulysses Network/IRCAM October 11, 2016
  • Site-specific piece Pawlow at Festival für Neue Musik Rümlingen August 30, 2016
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  • Ensemble Schallfeld premiere of Vektoren April 29, 2016
  • Text Applied Abstraction in Analysis published in Blatt 3000 October 6, 2015
  • Launch of Forum of Applied Abstraction (FAA) April 28, 2015

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